RALPH LEWIS has conceived or initiated many of PWP’s site-specific projects in addition to one-third of the producing duties. Recent productions include 2012’s performed installation, Spring Pictures of the Floating World, in the La MaMa Annex basement and the “pop-up” performance of Hallie Flanagan’s depression era play, Can You Hear Their Voices?, co-directed with Barry in a NoHo storefront. Ralph also originated the "Den of Vice" performance party in The Judson House Project; explored cyberspace with a bi-coastal, live-feed of Privileged & Confidential (Gertrude Stein Rep, NYC and Los Angeles Theater Center, CA); co-created the new vaudevillian [BANNED] Burlesque (Collective: Unconscious); adapted Charlotte Perkins Gilman’s classic short story for Wallpaper, performed in a TriBeCa raw space; and, with Barry and Catherine co-wrote the documentary workshop of Welcome Aboard The Friendly Tripbox (Judson Assembly Hall). PWP directing includes William M. Hoffman's A Quick Nut Bread To Make Your Mouth Water in a SoHo loft; staged readings for The Off Project (Viet Rock, Balls, Moon, Waterworks at Lincoln); Mitya's Ordeal, Part IV of The Brothers Karamazov (Culture Project); Jonah's Escape? (Performance Zone and Samuel French Play festivals); and aRT (15-Minute Play Festival finalist). Other NYC directing includes 2003’s acclaimed peace event, The Lysistrata Project (HERE Arts Center); Remains (Turnip Theater Co.); Leave The Light On (Samuel French Play Festival finalist); and several adaptations of Dr. Seuss books for Barnes & Noble. A graduate of NYU's Tisch School of the Arts, Ralph is a member of Actors Equity Association, Screen Actors Guild, and the Lincoln Center Theater Directors Lab.
CATHERINE PORTER has served as creator, producer, writer, director and/or performer in 100+ site-specific plays and performance events for Peculiar Works Project. She has performed leading roles in many Peculiar Works productions, including Can You Hear Their Voices?, OFF Stage: the East Village Fragments and West Village Fragments, Barry Rowell’s Floydada, It’s Good Enough For Me and Freiheit Makes a Stand, S.M. Dale and Rowell’s 3Christs, Dale’s Privileged & Confidential, Marina Shron’s Mitya’s Ordeal, and Ruth Margraff’s Gat Him To His Place, among numerous others. She has acted with such Off-Off companies as La MaMa, Concrete Temple Theatre, Flux Theatre Ensemble, The Forge, Aisling Arts, Theatre Askew, and TOSOS; and appeared Off Broadway in Mac Wellman’s OBIE Award-winning play, Crowbar. Catherine’s alter ego is Director of Development for Dixon Place, where she has also performed duties as Interim Executive Director, Assistant Director, and Director of Finance. Previously, she served as Coordinator of Individual Giving and Special Events for HERE Arts Center in NYC, and Ticket Office Manager for Casa Mañana Playhouse and Summer Musicals in Fort Worth, TX. She is a member of Actors’ Equity Association and the League of Professional Theatre Women, and serves on the boards of the Alliance of Resident Theatres/New York and Concrete Temple Theatre. Catherine was named one of the 2010 People of the Year by nytheatre.com.
BARRY ROWELL has written or directed several Peculiar Works Project productions, including the recent epic promenade performance, Manna-Hata at the James A. Farley post office. With partners Ralph and Catherine, he created the OBIE Award-winning OFF Stage: the West Village Fragments and its companion, the East Village Fragments, and is co-writing the play 3Christs with S.M. Dale. He is one of eleven playwrights who each adapted one of the eleven tablets that make up the Sumerian epic, Gilgamesh, for The Forge performance group. His play Floydada was a finalist in the 2011 Texas Playwrights Festival; his Before I Wake was presented at Theatre of NOTE in Los Angeles, and his 10-minute play, Dialogue in 3 Parts, was a finalist in the Creative Mechanics’ inaugural Stage This! festival and is available in the published collection on amazon. Barry directed S.M. Dale’s Privileged & Confidential at the Los Angeles Theater Center as part of bi-coastal video conference performance with actors in both L.A. and New York City; Ruth Margraff’s Gat Him to his Place at HERE arts center; and Kurt Weill’s opera The Protagonist at Lincoln Center’s Avery Fisher Hall for the American Symphony Orchestra. He is a graduate of Texas Christian University and studied postgraduate theatre history and criticism at the University of Texas at Austin.